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Sharp Objects, by Gillian Flynn
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Review
NEW YORK TIMES BESTSELLER“A first novel that reads like the accomplished work of a long-time pro, the book draws you in and keeps you reading with the force of a pure but nasty addiction...Flynn's book goes deeper than your average thriller. It has all the narrative drive of a serious pop novel and much of the psychological complexity of a mainstream character study. All in all, a terrific debut.”—Alan Cheuse, The Chicago Tribune“A compulsively readable psychological thriller that marks [a] dazzling debut...[Flynn] has written a clever crime story with astonishing twists and turns, and enough suspense for the most demanding fans of the genre. But it is the sensitive yet disturbing depiction of her heroine that makes this an especially engrossing story...Flynn's empathic understanding of her major characters leads to storytelling that is sure and true, and it marks her a write to watch.”—Chicago Sun-Times“To say this is a terrific debut novel is really too mild. I haven't read such a relentlessly creepy family saga since John Farris's All Heads Turn as the Hunt Goes By, and that was thirty years ago, give or take. Sharp Objects isn't one of those scare-and-retreat books; its effect is cumulative. I found myself dreading the last thirty pages or so but was helpless to stop turning them. Then, after the lights were out, the story just stayed there in my head, coiled and hissing, like a snake in a cave. An admirably nasty piece of work, elevated by sharp writing and sharper insights.”—Stephen King “Not often enough, I come across a first novel so superb that it seems to have been written by an experienced author, perhaps with 20 earlier books to his or her credit. I'm extremely excited to discover my first debut blowout this year, a sad, horrifying book called Sharp Objects...[Flynn] is the real deal. Her story, writing and the characters will worm their way uncomfortably beneath your skin...But this is more literary novel than simple mystery, written with anguish and lyricism. It will be short-listed for one or more important awards at the end of the year...Sharp Objects is a 2006 favorite so far. I doubt I'll ever forget it.”—Cleveland Plain Dealer“A deeply creepy exploration of small-town Midwestern values and boasts one of the most deliciously dysfunctional families to come along in a while...[Flynn] handles the narrative with confidence and a surprisingly high level of skill...Wind Gap ends up the sort of place you'd never want to visit. But with Sharp Objects, you're in no hurry to leave.”—San Francisco Chronicle “Brilliant...Powerful, mesmerizing...A stunning, powerful debut from someone who truly has something to say.”—San Jose Mercury News “One of the best and most disturbing books I have read in a long time...Flynn never stoops to the gratuitous, and the torment produces haunting characters that hung around my imagination long after I had finished the book. Her skillful blending of old tragedies with new culminated in an 'oh-my-gosh' moment that I never saw coming. This book simply blew me away.”—Kansas City Star “Don't look here for the unrelenting self-deprecation and the moping over men common chick lit...I promise you'll be thoroughly unnerved at the end.”—Newsweek “First-time novelist Flynn is a natural-born thriller.”—People Style Watch “A witty, stylish, and compelling debut. A real winner.”—Harlan Coben “Flynn delivers a great whodunit, replete with hinting details, telling dialogue, dissembling clues. Better yet, she offers appalling, heartbreaking insight into the darkness of her women's lives: the Stepford polish of desperate housewives, the backstabbing viciousness of drug-gobbling, sex-for-favors Mean Girls, the simmering rage bound to boil over. Piercingly effective and genuinely terrifying.”—Kirkus Reviews (starred review) “Fans of psychological thrillers will welcome narrator/Chicago Daily Post reporter Camille Preaker with open arms...As first-time novelist Flynn expertly divulges in this tale reminiscent of the works of Shirley Jackson, there is much more to discover about Wind Gap and, most of all, about Camille.”—Library Journal “This impressive debut novel is fueled by stylish writing and compelling portraits...In a particularly seductive narrative style, Flynn adopts the cynical, knowing patter of a weary reporter, but it is her portraits of the town's backstabbing, social-climbing, bored, and bitchy females that provoke her sharpest and most entertaining writing. A stylish turn on dark crimes and even darker psyches.”—Booklist “[A] chilling debut thriller...[Flynn] writes fluidly of smalltown America.”—Publishers Weekly“[Flynn]] offers up a literary thriller that's a doozy...and she does it with wit and grit, a sort of Hitchcock visits Stephen King, with plenty of the former's offstage and often only implied violence, and the latter's sense of pacing and facility with dialogue...This is not a comfortable novel of touchy-feely family fun. Rather, it is a tough tale told with remarkable clarity and dexterity, particularly for a first-time author.”—Denver Post“A tense, irresistable thriller...Flynn's first-person narration is pitch-perfect, but even more impressive is the way she orchestrates the slim novel's onrushing tension toward a heart-stopping climax.”—Seattle Post-Intelligencer“Darkly original...Flynn expertly ratchets up the suspense...A disturbing yet riveting tale.”—People“Skillful and disturbing...Flynn writes so well. Sometimes she dips her pen in acid, sometimes she is lyrical, but always she chooses her words deftly...She has an unsparing eye for human imperfection and for the evil that moves among us.”—Washington Post“Using understated, almost stark prose, Flynn paints a jagged, unflinching portrait of the vise-like psychological bonds between women, and how their demons lead to the perpetuation of cruelties upon themselves and others. The end result is an unsettling portrait of how long emotional wounds can last- and how deeply they hurt.”—Baltimore Sun“More in the tradition of Joyce Carol Oates than Agatha Christie, this one will leave readers profoundly disturbed. But from the first line...you know you're in the hands of a talented and accomplished writer.”—The Boston Globe“[A] breathtaking debut...Written with multiple twists and turns, Sharp Objects is a work of psychological prowess and page-turning thrills.”—Richmond Times“As suspenseful as the V.C. Andrews books you shared in high school, but much smarter.”—Glamour“Sharp Objects is one of the freshest debut thrillers to come around in a long while. It's a gripping, substantive story, stripped of cliche, and crafted with great style. The characters are refreshingly real, burdened with psychological issues that enrich the story. And the ending, which I was positive I could predict, is unpredictable. Sharp Objects is, indeed, quite sharp.”—Augusten Burroughs“Sharp, clean, exciting writing that grabs you from the first page. A real pleasure.”—Kate Atkinson, author of Case Histories and One Good Turn
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About the Author
GILLIAN FLYNN is the author of the #1 New York Times bestseller Gone Girl, for which she wrote the Golden Globe-nominated screenplay, and the New York Times bestsellers Dark Places and Sharp Objects. A former critic for Entertainment Weekly, she lives in Chicago with her husband and children.
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Product details
Paperback: 254 pages
Publisher: Broadway Books; Reprint edition (July 31, 2007)
Language: English
ISBN-10: 0307341550
ISBN-13: 978-0307341556
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
7,646 customer reviews
Amazon Best Sellers Rank:
#1,008 in Books (See Top 100 in Books)
I decided to read this book after seeing so many people talking about Gillian Flynn novels. So, I bought this book and read it in one day. It's not that thick of a book, but full of twists and turns. Upon cracking this book open, I must say that it began a little slowly, or maybe it just seemed that the story wasn't going anywhere at first (hence the four stars). But, as I continued to read, I got sucked in.Camille, the main character, is so flawed with vices I don't have time to list them all! Through the book, we see that she is not the only one from her small town that is flawed and twisted. Murder, alcoholism, cutting and a host of other problems are included in this book.
Just when you think you have it all figured out, wham! You don't. I didn't see it coming. Amazing writing keeps you hooked from page 1. Gillian Flynn knows her stuff, I am a big fan and this will not disappoint. I loved Gone Girl and was so happy when they made it a movie. I am very excited to see the adaptation of Sharp Objects on HBO. I could not put this book down. It's one of those books where you have to force yourself to stop reading so you don't read it in 24 hours. I tried to take my time but only lasted 4 days. If you are a fan of thrillers with great plot twists, you will not be disappointed.
Sharp Objects written by Gillian Flynn published in 2006 is a psychological thriller about Camille Preaker, a Chicago-based reporter sent to her hometown in Wind Gap, Missouri to cover a story about the unsolved murder of a girl whose chase bears striking similarities with a murder a year earlier.I heard about this book when HBO started advertising their 8-part mini-series starring Amy Adams based on the book. I’m a fan of Amy Adams, so I wanted to watch it, but before watching it, I thought I’d read the rather short (less than 300 pages) book. Apparently this was the author’s first published novel. She is probably more famously known for writing Gone Girl which was made into a popular 2014 big screen movie.Sharp Objects is a twisted psychological thriller. There is a lot of getting into Camille’s (messed up) head. The story is more about her and her relationships with her mother and half-sister than it is about the girls’ murders. This story is fraught with all sorts of aberrant behavior: sex with teenagers, drug use, alcoholism, bullying, self-mutilation, child abuse, and murder.Throughout the story, Camille battles with her past and her inner mind to keep from succumbing to the vortex of despair brought on by being in the sphere of influence of her deranged mother.At first, I had a tough time reading and understanding the author’s writing style. Don’t use this text to teach proper English grammar! Once I grew accustomed to that style, the story was strangely gripping. Camille clearly has deep psychological problems. She is sucked into engaging in dangerous behaviors during her visit to Wind Gap.As a psychological thriller, there isn’t much action and there is not much to the core story. Most of the interest is generated by learning about Camille and watching her get caught in the whirlpool of buried emotions that swell as she relives her childhood. It’s torturous to watch Camille endure things that would send me screaming back to Chicagoï€that’. Instead, she sticks to it until she finds the real killer and reconciles with her past.The author does an excellent job of describing the setting and the characters. One noticeable writing characteristic is that she uses “like†(as in simile) in practically every other paragraph which, on the one hand, provides a way to poetically describe something and on the other hand, is annoyingly repetitious.One brief comment about the TV series (since this blog post is a book review, not a TV review). My suggestion is to either watch the TV series OR read the book; not both.
This is an extremely dark book where the main character is a psychological mess who has recently checked out of a mental hospital and is struggling to cope with life while reporting on several child murders in her small Missouri hometown. The struggling Chicago paper she works for has sprung for one day at a hotel after which she must stay with her deeply troubled family. As the story unfolds, she has to deal with memories of her own miserable childhood, while addressing ongoing problems with her mother and younger sister. She is also continuously tempted to carve words on her own flesh, which is central to her psychological disorder and has already rendered her body hideous. As the story moves forward, the reader suspects the worst and when you get there the author gives you both barrels. This book is suspenseful and powerful, but it is not for everyone, and I think I will stay away from this author for a while. I still have to sleep at night and get up in the morning.
I didn't know that I could actually feel my skin crawl , I thought this was just an expression but this is how this book mad me feel. Every sentence is a masterpiece - deep, dark and ironic. "Sometimes I think illness sits inside every woman, waiting for the right moment to bloom..." I was rushing to finish reading it before the HBO series but I also read that Gillians next novel due in 2021! What am I supposed to read until then?
A deeply disturbing novel in the midwest. A reporter goes back to her hometown to cover a murder investigation. Along the way, she deals with her dispassionate mother and her strange otherworldly sister. As an adolescent, the main character cut herself as a means of coping with the death of another sister, literally carving words into her own flesh. The author uses these words to betray her characters inner thoughts, as she knows everyword on her body and they sometimes tingle bringing their meanings to life.This is not Flynn's darkest novel, i firmly believe that Gone Girl is the most disturbing of the trio, but its darker than 'Dark places.' Here she dissects the pathologyof several townsfolk.I thought there was one or two people it could have been through most of the novel, it was just a matter of understanding the other extraneous moments. The conclusion is rapid, but satisfying. In the end, everything falls into place and i dont think there is a hair or thread out of place.
I’m really not sure I liked this book. Gone Girl was dark and evil and depressing, but it was so clever I still liked it. This one is a good story, it was well written, but I don’t know, I just didn’t like it too much. Maybe because it was such evil with children instead of adults, I’m not even sure, but it just wasn’t for me.
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